Fundada Artists Film Festival 2010

FUNDADA ARTISTS' FILM FESTIVAL 2010
14th - 20th August 2010
Square Chapel, Halifax, UK
FREE ENTRY

Kevin Boniface (UK), Alice Bradshaw (UK), Adam Brandon (UK), Sara Brannan (UK), Sarah Buckius (USA), Jane & Mike Chavez-Dawson (UK), Çağlar Çetin (TR), David Cochrane (UK), Robert Crosse (UK), Keren Cytter (DE), eddie d (NL), John Deller (UK), Doplgenger (SRB), Eagle & Feather (UK), Sarah Filmer (UK), Şinasi Güneş (TR), Maggie Hall (UK), Sarah Harbridge (UK), Clare Harris (UK), Max Hattler (UK), Sam Holden (UK), Robin Kiteley & Samuel Stocks (UK), Sai Hua Kuan (SG/UK), Lemeh42 (IT), Lernert & Sander (NL), Sarah Lüdemann (DE), Rä di Martino (BE), Joanne Masding (UK), Fumiko Matsuyama (DE), Kit Merritt (UK), Vincent Meessen (BE), Milk, Two Sugars (UK), Lin de Mol (NL), Marlanna and Daniel O'Reilly (UK), Elodie Pong (CH), Sara Rajaei (NL), Thomas Rummelhoff (NO), Manuel Saiz (IT), Sebaldo (UK), Semiconductor (UK), Tory Smith (UK), Splitty McCheeks (UK), Jacki Storey (UK), Saskia Takens-Milne (UK), Paul Tarragó (UK), Tether / Grin & Slutsky (UK), Kathy Toth (UK), Jenny Triggs (UK), Barry Valentino (USA), Jorge García Velayos (ES), Katleen Vermeir & Ronny Heiremans (BE), Tom Walker (UK), Roland Wegerer (AT), Tomoyuki Yago (JP), Gerald Zahn (AT)

Curated by Alice Bradshaw & Nancy Porter

FAFF2010 Programme: Tuesday 17th August 2010

Paul Tarragó (UK)
The Badger Series Episode 3
The Badger Series has issues and attempts, each episode, to resolve them. Recasting a glove puppet through his own present day sensibilities, Paul assumes the role of a kindly uncle mentor to a household of capersome woodland creatures. Mortality, self-sacrifice, depression, altered states of consciousness and transgressive art practices are all explored as part of their everyday lives together. Meanwhile the show is mindful to adhere to the traditional structural formulae, with entertainment numbers and routines appropriate to the scaled down sitcom world that they occupy. The series is equal parts moral instruction and narrative play, mediate through the forced fit of an experimental filmmaker as children's entertainer.


Kevin Boniface (UK)
Worktime Learning
A postman's diary


Lernert & Sander (NL)
How To Explain It To My Parents: Bart Julius Peters
In How To Explain It To My Parents: Bart Julius Peters, Photographer Bart Julius Peters shows one of his latest photographs to his father - a portrait of a young hockey player in the North of Amsterdam. Dad struggles to understand why it is art and investigates how his son decides on the quality of his photographs.


Manuel Saiz (IT)
The Two Teams Team
The Two Teams Team is a short and multi-layered film about the difference and similarities between video art and cinema, two subjects which Manuel Saiz regularly addresses in his work, often on a meta level. Two actors - one specialised in film, the other in video art - are having a chat. Their conversation revolves around film sets in film and video art, bout differences in budget, about emotions, the relation to fiction and reality, and about punchlines.


David Cochrane (UK)
Cube
Performance related video
2 sugar cubes soak up and exchange coffee from a saucer



Maggie Hall (UK)
Line
"I produce work without a narrative and verbal content, work that exists purely to be experienced communicating a semi-intuitive understanding. I want to leave my work open to the formation of ideas and concepts rather than react to them. Recently I have begun to merge the initial creation of my work with the final product, recreating a version of the process. These works intend to compress, contain and capture the initial energy and tensions revealed in their creation."


Robin Kiteley & Samuel Stocks (UK)
Carbon Dating Angels
The idea of "carbon dating angels" suggests a search for origin, and by extension meaning or truth, in that which is beyond the realms of scientific enquiry. This piece appropriates the controlled and precise movement vocabulary of archive x-ray films in an intriguing, yet impenetrable, ritual of choreographed opened a new visual perspective this films alludes to ways of knowing that are at once buried and revealed.


Kathy Toth (UK)
Loop
Loop is a stopframe animation where handmade charcoal drawings have been photographed. Each object is rubbed out and then redrawn onto the same drawing for the next frame, thus leaving a trace of movement. These objects are inspired by found imagery resembling scientific diagrams. My interest lies in how diagrams are perceived once taken out of context and viewed purely as a set of shapes and lines. While drawing diagrams I begins to associate them visually with other objects in a way that is similar to cloud spotting and 'projective tests' within psychoanalysis.


Semiconductor (UK)
Black Rain
Black Rain uses images from the STEREO mission by NASA (2006-2008) in which twin satellites tracked interplanetary space for solar wind as well as registering violent eruptions of matter from the sun; coronal mass ejections (CMEs). Semiconductor collected all images resulting from the mission, selecting unwanted images usually edited out of scientific research presentations.


Saskia Takens-Milne (UK)
Untitled (Toast)
Saskia Takens-Milne's video art presents us with an uncanny, realistic depiction of life in a looking-glass world. The world depicted is the actual world in which we live, the only world we could - perhaps - ever have, the unreal world of ideology. The work is allusive in nature; but these videos surprise themselves - risible melodrama is a structural feature of her work - by being finally irreducible to, and inexplicable by, their origins.


Alice Bradshaw (UK)
Brown Paper Bag Box
Box, made from a brown paper bag, animated.


Paul Tarragó (UK)
The Badger Series Episode 4
The Badger Series has issues and attempts, each episode, to resolve them. Recasting a glove puppet through his own present day sensibilities, Paul assumes the role of a kindly uncle mentor to a household of capersome woodland creatures. Mortality, self-sacrifice, depression, altered states of consciousness and transgressive art practices are all explored as part of their everyday lives together. Meanwhile the show is mindful to adhere to the traditional structural formulae, with entertainment numbers and routines appropriate to the scaled down sitcom world that they occupy. The series is equal parts moral instruction and narrative play, mediate through the forced fit of an experimental filmmaker as children's entertainer.



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